Digital Humanities CFPs for ASECS 2012

The 2012 meeting of the American Society for Eighteenth-Century Studies will take place in San Antonio, Texas from March 22 to March 25. Information about hotel reservations is available at this page.

The call for papers has been uploaded to the ASECS website (as a Microsoft Word file).

Below is a selected list of CFPs that have a digital humanities angle. Please contact the individual panel chairs with any questions and with your presentation proposals.

“Digital Approaches to Library History”

(The Bibliographical Society of America)
Mark R. M. Towsey
School of History/Eighteenth Century Worlds
U. of Liverpool
9 Abercromby Square
Liverpool, L69 7WZ
Tel: 0151794 2379
M.R.M.Towsey@liverpool.ac.uk

This panel will consider how digital tools and digital methodologies are reshaping our understanding of eighteenth-century libraries.

Libraries, book clubs, reading circles and other institutions of collective reading have long been acknowledged as important features of eighteenth-century print culture, but the continuing development of modern database software has opened up new interpretative possibilities, allowing us to understand their significance in unprecedented detail. Libraries promised access to a much wider range of books than most patrons could possibly afford, but they were hugely significant in other ways. They emerged to serve particular communities, reflecting the specialist demands of military garrisons, religious academies and informal networks of medical men and lawyers. They provided a forum for conversation, debate and sociability, and made a key contribution to the social impact of the Enlightenment, the ‘consumer revolution’, the growth of nationalism and the spread of religious evangelicalism. Since they emerged in Britain, North America and continental Europe at around the same time, they also provide endless opportunities for comparative history–with different territories adopting distinctive organisational models, yet consuming a remarkably similar canon of international bestsellers.

Papers might consider these or any other themes relating to the history of particular libraries or types of library, but should aim to reflect on methodological approaches made possible by technological advances associated with the digital humanities.

“Diggable Data, Scalable Reading and New Humanities Scholarship”

(Digital Humanities Caucus)
Matt Cohen
Dept. of English
U. of Texas at Austin
PAR 108, Mailcode B5000
Austin, TX 78712
Tel: (512) 471-8112
Fax: (512) 471-4909
matt.cohen@mail.utexas.edu

Various communities of practice are emerging around new data resources that are available, communities such as Bamboo Corpora Space, sponsored by the Mellon Foundation; ARC, the Applied Research Consortium comprised of MESA, REKn, 18thConnect, and NINES, Connected Histories in the UK, and the Voyeur: Reveal Your Texts group in Canada. These groups are all creating tools that allow for “scalable reading,” that is, combining reading up close with reading at a distance, to produce a new digital philology. Papers given at this seminar would present tools created by these groups as part of seminar papers of the traditional sort—that is, as part of an interesting argument that using the tools made possible. We will invite all ASECS members to submit proposals to present.

“Digital Humanities and the Archives” (Roundtable)

(Digital Humanities Caucus)
Eleanor F. Shevlin
Campus Address
Dept. of English
West Chester of Pennsylvania
548 Main Hall
West Chester, PA 19383
Tel: (610) 436-2463)
Fax: (610)-738-0516
Mailing Address
2006 Columbia Road, NW
Apt. 42
Washington, DC 20009
Tel: (202) 462-3105
eshevlin@wcupa.edu

This roundtable seeks three to four ten-minute papers aimed at generating substantive conversation on the broad topic Digital Humanities and the Archives. Possible topics include but are not limited to how digital tools are transforming our theoretical conceptions of “archives,” what effects digital facsimiles are exercising on our understanding of original documents; how our digital environment is shaping the kinds of archival projects being undertaken, the methodologies used, and/or the types of research questions posed; how interactions between the digital and the archival are creating new paradigms or inspiring shifts in existing models; how questions concerning the economics, equity, and accessibility of archival materials are being addressed or perhaps reconfigured by digital tools and platforms.

“Bits and Bytes Lunch”

(Digital Humanities Caucus)
Adrianne Wadewitz
422 S. Henderson, Apt. 6
Bloomington, IN 47401
Tel: (812) 340-1415
wadewitz@gmail.com

In this lunch time session, we ask participants to bring a snack and a digital tool. Similar in format to a more traditional poster session, presenters in this session will simultaneously demonstrate their tools to participants, who will be able to experience multiple presentations and interact directly with presenters and their tools during this open workshop. The goal is for participants and presents to have an open dialogue and to play with new and emerging technologies in a relaxed atmosphere.

“A Digital Humanities Experiment, Year One: Aphra Behn Online” (Roundtable)

Aleksondra Hultquist
U. of Melbourne
1/17 Byrne Ave
Elwood VIC 3184, Australia
aleksondra12@yahoo.com

Aphra Behn Online: Interactive Journal for Women in the Arts 1640-1830, launched in March 2011 at ASECS with the intent to create an interactive online community centered on women and the arts in the long eighteenth century.  As an online, free access journal, our aim is to publish excellent and relevant scholarship and other exciting and innovative work.  We hope to support the community of scholars (contributors and readers) with constructive and thoughtful (and signed) submission feedback and by providing a platform for the exploration of the exciting opportunities that online information and researching can offer, such as the blog and discussion forums, creative and meaningful use of the online format, and flexibility and creativity in publication schedules and formats.  This roundtable seeks to explore issues surrounding this new scholarly project and to position these issues–and the journal itself–within a larger trend toward online and interactive scholarship.  We are interested in talking about what has worked, what has been surprising about the process, and what audience feedback and involvement can teach us.  We encourage roundtable submissions that evaluate successes and hiccups both in regards to our journal and to others and engage and participate in a discussion about the perils, pleasures, and possibilities of online scholarship.

“Best Practices in Digital Pedagogy”

Elizabeth Lewis
Dept. of Modern Foreign Languages
U. of Mary Washington
1301 College Ave
Fredericksburg, VA 22401
Tel: (540) 654-1987
Fax: (540) 654-1088
elewis@umw.edu

Presenters in this session will share their experiments, challenges, and successes in using digital applications to teach eighteenth-century studies at the undergraduate or graduate level. Some questions that presenters might address are:

  1. How has the use of digital media promoted student learning inside and outside the classroom?
  2. What challenges does the use of digital media pose?
  3. How do “best practices” in digital pedagogy differ from more traditional forms of teaching?
  4. What does the use of digital media add to the study of the eighteenth-century?

ASECS11: Digital Humanities Caucus Roundtable 1

“Evaluating Digital Projects: A Roundtable Discussion of New Forms of Grading and Peer Review”

(Digital Humanities Caucus Roundtable)

Lisa Maruca, 5057 Woodward, Dept. of English, Wayne State U., Detroit, MI 48202; Tel: (248) 890-5177

E-mail: lisa.maruca@wayne.edu AND gwilliams@uscupstate.edu

As new media projects begin to supplement or in some cases replace the print essay, research paper, scholarly article or monograph, what modes of evaluation should we expect or demand of students (undergrads and graduate students), colleagues, and ourselves? In recent times groups like HASTAC and the MLA begin discussion on evaluating digital work — the latter appropriately enough on a wiki — while the president of the MLA has even advised that more digital dissertations be produced. Similarly, the American Historical Association and the Center for History and New Media at George Mason University announced in 2008 a new annual prize for “an innovative and freely available new media project that reflects thoughtful, critical, and rigorous engagement with technology and the practice of history.” Since our students now might ask to produce a YouTube video instead of a paper, and our colleagues go up for tenure with a digital archive instead of a book, it behooves the member of ASECS to join this discussion and reflect on both methods and criteria for judging specifically historical work.

The organizers welcome descriptions of your own or others’ classroom or institutional experiments; policies that you or others have authored; ideas for future criteria, rubrics, methods and standards for evaluation; as well as theoretical examinations of evaluation as a concept. Panelists might reflect on the following, applied to both students and faculty:

  • Which standards should we preserve and which reject as we move from evaluating print work to digital projects?
  • What are the digital equivalents to (or replacements for) familiar print products such as (for undergrads) the interpretive essay or research paper; (for graduate students) the seminar paper or dissertation; (for faculty) the journal article, chapter or book?
  • How do we transfer such criteria as length and depth to innovative projects?
  • How do we account for the new skills that may need to be acquired to produce works in new media?
  • How do we fairly assess forms requiring multiple team members?
  • How can we import crowdsourcing as a method into the classroom or for examining scholarly work?
  • How do we allow for citation and account for influence in the digital realm?
  • What is the relationship between methods of evaluation for students and that for faculty?
  • How do new media projects de- and re-construct print-based concepts we bring to evaluation, such as periodicity, authorship, originality, knowledge, and intellectual property?
  • How might digital pedagogy and service be reconceived as valuable and quantifiable forms of scholarly work?

ASECS11: Digital Humanities Caucus Roundtable 2

“The Eighteenth Century in the Twenty-First: The Impact of the Digital Humanities”

(Digital Humanities Caucus Roundtable)

George Williams, LLC Dept., USC Upstate, Spartanburg, SC 29303; Tel: (864) 503-5285.

E-mail: lisa.maruca@wayne.edu AND gwilliams@uscupstate.edu

“The digital humanities comprise the study of what happens at the intersection of computing tools with cultural artifacts of all kinds. This study begins where basic familiarity with standard software ends. It probes how these common tools may be used to make new knowledge from our cultural inheritance and from the contemporary world.”

— Centre for Computing in the Humanities, King’s College London: “Introduction to the Digital Humanities.”

“It isn’t a matter of getting things done more quickly; rather it is about getting things done that couldn’t be done before. That’s the game-changing aspect of technology.”

— Brett Bobley (Director, Office of Digital Humanities, National Endowment for the Humanities): “Why The Digital Humanities?

This roundtable will consider how digital tools and digital methodologies are shaping eighteenth-century studies. Participants might reflect on the following questions, applied to both students and faculty:

  • What sorts of new research and teaching models are emerging in the digital age?
  • What drawbacks should scholars and teachers be wary of as we are confronted with these new possibilities?
  • How are collaborative, interdisciplinary projects affected by the digital humanities?
  • What lessons might we learn for our use of twenty-first-century technologies from eighteenth-century observations about print technology’s influence upon learning, knowledge, and communication?
  • Conversely, in what ways does the media culture of the twenty-first century shape our understanding of the eighteenth?

cfp: “The Digital 18th-century 2.0″

“Texting, Tweeting, Tagging: The Digital Eighteenth Century 2.0” (Roundtable)

George H. Williams, English, U.of South Carolina Upstate, Spartanburg, SC 29303 AND  

Lisa Maruca, English, Wayne State U., Detroit, MI 48202;

E-mail: gwilliams@uscupstate.edu AND lisa.maruca@wayne.edu  (Please email both organizers)

Since the early 1990s, eighteenth-century studies scholars have used Internet-based resources for research and scholarly communication via dedicated websites, list-servs, and static presentations of both primary and secondary sources.  In addition to these open and freely accessible online scholarly resources, commercial ventures such as the Gale Group’s Eighteenth-Century Collections Online offer vast databases of digitized works previously available only in a limited number of physical archives.

However, as groundbreaking as these tools or services have been in establishing a web presence for eighteenth-century research, they also have their limitations.   Dubbed retrospectively “Web 1.0,” they draw both their strengths and weaknesses from their ties to print culture, with its view of text as stable and communication as a one-to-many enterprise. Furthermore, online archives such as ECCO often come at a steep price, excluding many working outside large research institutions.

While not denying the importance of previous work, this roundtable will consider how the next generation of digital tools is shaping our field.  In contrast to the first iteration of online resources, “Web 2.0” is characterized by a view of text-making as dynamic and participatory and communication as a many-to-many undertaking.  It privileges a construction of knowledge that is transparent, socially mediated and always in-process.  It is open-access, often open-source, with few if any overhead expenses transferred to users.  This new media environment is already transforming the academy in fundamental ways, as evidenced by scores of digital humanities centers, online classrooms, interactive digital archives, and social networking sites for scholars.

This panel will investigate the changes it has made in the study of the eighteenth-century. Prospective panelists are thus encouraged to provide overviews of eighteenth-century projects (both current and imagined) and new pedagogies made possible by Web 2.0 technologies.  They can comment as well on future directions in teaching and research enabled by the plethora of free, digital tools and services now available.

Through both brief audiovisual presentations and audience participation, we hope to address questions such as these:

  • How are tools such as wikis, blogs, digital cameras, and smart phones, and sites such as YouTube, Flickr, Facebook, Twitter, Second Life, and Google Apps currently being used in research or pedagogy?  

  • How can we better encourage, evaluate, and share student and/or faculty projects in new media?

  • What sorts of new research models do these media encourage?  

  • Do these tools have the power to engage Gen Y students’ attention and curiosity about Enlightenment thinking?  

  • How can we use Web 2.0 analogies to help students better understand eighteenth-century social networking and media forms?

  • What lessons might we learn for our use of twenty-first-century technologies from eighteenth-century observations about print technology’s influence upon learning, knowledge, and communication?

  • What drawbacks should scholars and teachers be wary of as we work with these new tools and services?